http://www.neonlightssigns.info/sided-frame/
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Double Sided A-Frame Sidewalk Chalkboard Sign Menu Board |  |
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US $54.99 | 11d 25m |
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Double Sided Sidewalk A Frame Liquid Chalk Neon Marker Restaurant Menu Board | |
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US $41.82 | 2d 1h 58m |
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NEW A FRAME 2 SIDED SIDEWALK SIGN SANDWICH BOARD <RS | |
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US $145.00 | 18d 10m |
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A-Frame Sidewalk QLA Two Sided Changeable Message Board sign with Letters | |
0 Bid | US $155.00 | 3d 19h 6m |
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A-Frame Sidewalk QLA Two Sided Write On / Wipe Off Message Board with Markers | |
0 Bid | US $160.00 | 3d 19h 6m |
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A-Frame Sidewalk QLA Deluxe Two Sided Message Board sign White with Letters | |
0 Bid | US $165.00 | 3d 19h 6m |
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CUSTOM MESSAGE Sandwich Board Sign 2-sided A-Frame Kit | |
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US $24.99 | 16d 16h 6m |
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Double-Sided A-Frame Liquid Chalk Sidewalk Marker Board | |
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US $51.99 | 28d 3h 43m |
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Double-Sided A-Frame Antique Sidewalk Chalkboard Menu Board Sign Display | |
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US $62.00 | 25d 7h 3m |
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New Wooden Framed Double Sided Chalkboard - 87508 | |
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US $37.99 | 5d 3h 36m |
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Sided Frame
how do i stop a bent picture frame from sticks out from the wall?
I have quite a large picture with a wooden frame. Somehow the frame has become bent and the bottom have juts out from the wall a few inches. How can i fix this or at least conceal the problem?? (without having to purchase a new frame) I considered something double sided tape but that may peel paint off and sticky puddy isn't strong enough. Please help!!
Frame is warping. If you stick the bottom to the wall then the top on the other side will stick out. Find somewhere to lay it down flat and lay something heavy on it a few days. It will straighten back out.
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Double Sided A-Frame Sidewalk Chalkboard Sign Menu Board | |
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US $54.99 | 11d 25m |
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Double Sided Sidewalk A Frame Liquid Chalk Neon Marker Restaurant Menu Board | |
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US $41.82 | 2d 1h 58m |
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NEW A FRAME 2 SIDED SIDEWALK SIGN SANDWICH BOARD <RS | |
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US $145.00 | 18d 10m |
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A-Frame Sidewalk QLA Two Sided Changeable Message Board sign with Letters | |
0 Bid | US $155.00 | 3d 19h 6m |
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A-Frame Sidewalk QLA Two Sided Write On / Wipe Off Message Board with Markers | |
0 Bid | US $160.00 | 3d 19h 6m |
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A-Frame Sidewalk QLA Deluxe Two Sided Message Board sign White with Letters | |
0 Bid | US $165.00 | 3d 19h 6m |
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CUSTOM MESSAGE Sandwich Board Sign 2-sided A-Frame Kit | |
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US $24.99 | 16d 16h 6m |
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Double-Sided A-Frame Liquid Chalk Sidewalk Marker Board | |
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US $51.99 | 28d 3h 43m |
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Double-Sided A-Frame Antique Sidewalk Chalkboard Menu Board Sign Display | |
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US $62.00 | 25d 7h 3m |
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New Wooden Framed Double Sided Chalkboard - 87508 | |
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US $37.99 | 5d 3h 36m |
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Double-Sided A-Frame Sidewalk Aluminum White Markerboard Menu Board Sign | |
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US $53.99 | 25d 7h 1m |
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LIVE BAIT Sandwich Board Sign 2-sided A-Frame Kit NEW | |
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US $19.99 | 26d 7h 39m |
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OPEN Coroplast Sandwich Sign A-Frame 2-sided Kit | |
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US $19.99 | 24d 6h 36m |
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Double-Sided A-Frame Sidewalk Wood White Markerboard Menu Board Sign Display | |
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US $53.99 | 25d 7h 2m |
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NEW A FRAME 2 SIDED SIDEWALK SIGN SANDWICH BOARD <RS | |
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US $134.75 | 29d 5h 39m |
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NEW A FRAME 2 SIDED SIDEWALK SIGN DRY ERASE ERASABLE | |
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US $145.00 | 24d 21h 46m |
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NEW A FRAME (RED) 2 SIDED SIDEWALK INSTA SIGN WITH LETTERS | |
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US $99.00 | 24d 21h 52m |
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WE BUY GOLD Sandwich Board Sign 2-sided A-Frame Kit NEW | |
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US $22.99 | 27d 21h 42m |
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NEW A FRAME 2 SIDED SIDEWALK SIGN DRY ERASE | |
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US $138.00 | 27d 1h 6m |
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SINGLE SIDED SILVER FRAME LIGHT BOX A-1A 40" X 28" | |
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US $374.95 | 26d 20h 39m |
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Double Sided Photo Frame Keychains (12-Pack) $7.6 Double Sided Photo Frame Keychains (12-Pack) |
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Two Sided Picture Frame $24.95 This Two Sided Recordable Picture Frame captures your favorite photo memories with a special personalized message from a loved one! With this double sided talking picture frame, each photo holds a seperate message so you can hear 2 different 10 second voice recordings -- perfect for recording each child or grandchild! Imagine the smile on a loved ones face when they play back your personalized recorded message on this talking picture frame. Now grandparents can hear the sweet voices of their grandkids from this truly unique personalized gift whenever they're not visiting. Parents can keep a recordable picture frame in their luggage so they can have the sights and sounds of their family with them while they're traveling on business. Keep the memory of a loved one alive even when they're not around or will be absent for long periods of time. This talking photo frame holds two 4 inches x 6 inches photos and can accommodate a portrait or landscape layout. The recordable picture frame opens and closes clamshell st Type: Home Accents Color/Finish: Multi-Color |
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Quartet Double Sided A-Frame Display $223.99 1 1 Each 24" 24" Width x 36" Height 36" Two clip-down frames are secured to sturdy A-frame to create a freestanding double-sided display. Unique design allows quick document changes. Four-hinged sides flip up for easy access to contents. Clear plastic lens cover protects documents and reduces glare. Sleek silver aluminum frame and unique corner caps offer a high-quality look. 2' x 3' clip frame easily mounts to wall horizontally or vertically to display in portrait or landscape. A-Frame and clip frames are ideal for indoor or outdoor environment. Folds up easily for storage. ACCO Brands Corporation AF32 Aluminum Aluminum Frame Clear Clear Cover Document Frame Double Sided A-Frame Display Horizontal Plastic Plastic Cover Quartet Silver Silver Frame Vertical Wall-mountable www.acco.com |
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FocusFoodService FFSF2448CH 24 in. x 48 in. 3 Sided Frame Chrome $127.76 Frame. 3 Sided. Dimensions: 24 x 48 . Tubular. Chromate finish. Manufactured to the highest quality available. Satisfaction ensured. |
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Rubbermaid Commercial Products Double-Sided Folding Frame, Black(Pack of 1) $73.99 Rubbermaid Commercial Products Double-Sided Folding Frame, BlackDouble-sided folding frame is part of the Rubbermaid 18" Microfiber Cleaning System. Frame also quick-connects to the Rubbermaid Hygen Q755 Extension Handle. Mops (sold separately) are a |
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FocusFoodService FFSF2448GN 24 in. x 48 in. 3 Epoxy Sided Frame Green $161.64 3 Sided. 1 Tubular frame. Finish: Green epoxy coated. Dimensions: 24 x 48 . Top Quality manufactured to the highest specifications. Satisfaction ensured. |
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FocusFoodService FFSF1860CH 18 in. x 60 in. 3 Sided Frame Chrome $154.26 3 Sided. 1 Tubular frame. Chromate finish. Shelf Size: 18 x 60 . Top Quality manufactured to the highest specifications. Satisfaction ensured. |
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FocusFoodService FFSF1860GN 18 in. x 60 in. Epoxy 3 Sided Frame Green $186.21 3 Sided. 1 Tubular frame. Green epoxy coated. Shelf Size: 18 x 60 . Top Quality manufactured to the highest specifications. Satisfaction ensured. |
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FocusFoodService FFSF1848CH 18 in. x 48 in. 3 Sided Frame Chrome $108.99 Frame. 3 Sided. Dimensions: 18 x 48 . Tubular. Finish: Chromate. Use when lowest shelf has to be placed 24 or more above floor. |
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FocusFoodService FFSF2436CH 24 in. x 36 in. 3 Sided Frame Chrome $118.46 Frame. 3 Sided. Dimensions: 24 x 36 . Tubular. Finish: Chromate. Use when lowest shelf has to be placed 24 or more above floor. |
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FocusFoodService FFSF2136GN 21 in. x 36 in. Epoxy 3 Sided Frame Green $118.46 Frame. 3 Sided. Dimensions: 21 x 36 . Tubular. Finish: Green epoxy coated. NSF. Manufactured to the highest quality available. Satisfaction ensured. |
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FocusFoodService FFSF2460CH 24 in. x 60 in. 3 Sided Frame Chrome $163.57 3 Sided. 1 Tubular frame. Finish: Chromate. Shelf Size: 24 x 60 . Top Quality manufactured to the highest specifications. Satisfaction ensured. |
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FocusFoodService FFSF2460GN 24 in. x 60 in. Epoxy 3 Sided Frame Green $204.98 3 Sided. 1 Tubular frame. Finish: Green epoxy coated. Dimensions: 24 x 60 . Top Quality manufactured to the highest specifications. Satisfaction ensured. |
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FocusFoodService FFSF1836GN 18 in. x 3 in. 3 Epoxy Sided Frame Green $108.99 Frame Shelving. 3 Sided. Dimensions: 18 x 36 . Tubular. Finish: Green epoxy coated. Manufactured to the highest quality available. Satisfaction ensured. |
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Rubbermaid 1791676 Double Sided Folding Frame. Case of 3 $98.64 Manufacturer: Rubbermaid. Case of 3. Easy to attach and detach mop. Stainless steel construction for enhanced durability. For use with Rubbermaid Double-Sided Microfiber Mop Customers also search for: Discount 1791676 Double Sided Folding Frame, Buy 17916 |
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APC Double Sided Fixed $72.99 113.40 kg Static Load 2 Year 4.90" Height x 19.50" Width x 10.25" Depth 8 lb Features: 2 Post Mounting Double Sided APC NetShelter 2 Post Open Frame Rack Double Sided Fixed Rack Shelf Installation Guide Mounting hardware EIA-310-D Rack accessories designed to organize equipment within a rack environment. APC AR8422 American Power Conversion Corp Black Double Sided Fixed Rack Shelf www.apc.com |
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Disney Vacation Shadowbox & 2 Sided Frame Set(Pack of 1) $28.99 Disney Vacation Shadowbox & 2 Sided Frame Set. Disney Shadow Box gives you a Shadow Box and Frame Set all in one unit. You can use the product as a double frame and as a shadowbox. Display one 4in x 6in photo in front of the shadowbox and one 4in x 6in ph |
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FocusFoodService FFSF2160GN 21 in. x 60 in. 3 Epoxy Sided Frame Green $197.44 3 Sided. 1 Tubular frame. Finish: Green epoxy coated. Shelf Size: 21 x 60 . Top Quality manufactured to the highest specifications. Satisfaction ensured. |
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FocusFoodService FFSF1848GN 18 in. x 48 in. Epoxy 3 Sided Frame Green $116.71 Frame. 3 Sided. Dimensions: 18 x 48 . Tubular. Finish: Green epoxy coated. Use when lowest shelf has to be placed 24 or more above floor. |
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FocusFoodService FFSF2424GN 24 in. x 24 in. 3 Epoxy Sided Frame Green $103.55 3 Sided. 1 Tubular frame. Finish: Green epoxy coated. Shelf Size: 24 W x 24 L. Top Quality manufactured to the highest specifications. Satisfaction ensured. |
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Azar 142726 Vertical Top Load Acrylic Sign Holder, 10 Count
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Wooden Framed Double Sided Chalkboard
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Azar Vertical Double-Sided Stand Up Sign Holder, 10 Count
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Werner MT-22 300-Pound Duty Rating Telescoping Multi-Ladder, 22-Foot
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Command Poster Adhesive 48 Strip Value Pack
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15' x 36" Easy Set Above Ground Swimming Pool
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LA Baby Countour Changing Pad 30", White
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Rubbermaid Commercial Prod. 1791676 Double-Sided Folding Frame, Black
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Conair BE51 Double-Sided Oval Illuminated Mirror, 6 Inch, 7x/1x Magnification, Fog-Free Viewing
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LitterMaid Cat Privacy Tent
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Melissa & Doug Deluxe Standing Easel
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Intex Krystal Clear Detachable Pool Side Tray
Sale Price: $29.95 |
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Enesco My Family 7" Photo Album
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Highland 2005200 48" Black Universal Car Top Bar Carrier
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Car Vehicle Door Rubber Hollow Air Sealed Seal Strip
Sale Price: $12.33 |
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Targus THZ045US Versavu 360 Degrees Rotating Stand Case for Apple iPad 2 (Black/Blue Interior)
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Targus THZ084US Versavu Keyboard and Case for Apple iPad 2 (Black/Gray)
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uCase (TM) 360 Degrees Rotating Stand Case for Apple iPad 3 / the New iPad with Built-in Magnet for Apple Smart Cover's Wake up & Sleep (Blue)
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Verizon HTC Droid Incredible Replacement Touch Screen Digitizer Front Glass
Sale Price: $8.99 |
How to measure windows for shutters - 4 sided Z frame shutters
Italian Frame During the Renaissance
The development of the frame is inextricably linked to that of architecture.
Frames, whether they are used for paintings, bas-reliefs or mirrors, were designed as integral parts of an architectural space where they often had a harmonizing function against doors and windows.
Not only did the frame design evolve with the evolution of architectural taste, but the frames often changed at the same pace of interior decoration, which in turn changed to respond to the taste of time.
It did not matter if a "Salvador Rosa"- style frame of the eighteenth century was appropriate for a 16th century painting of the Crucifixion, or if a portrait of Velazquez was shown in a Rococo English frame, the paintings have always inadvertently lived in the same environment of a piece of furniture that belonged to a different period and the frame itself was the connecting element of this harmonious coexistence.
Understanding the materials and techniques used in the making of frames is equally important as their proper classification and dating. The work of construction and carving that took place inside a workshop can be found under a decorated surface and is often a unique and distinctive element of a particular historical period and region.
These activities inside a workshop characterized a frame's style belonging to a particular area and period in a distinctive way, rather than the school's influences of the same architectural area and historical period.
In no part of the world was this more true as in Italy during the late Middle Ages and the Renaissance; a period that was extremely important for the variety of styles in the frames' production compared to the formal standardization prevailing in any other place and period.
However, for all their decorative richness and unlimited variety of models, the frames in the Italian Renaissance were characterized by a simplicity and efficiency in their structural and ornamental organization, mainly determined by the inherent properties of materials and resources that were used to make the frames.
Furthermore, when talking about the Renaissance Italian frame, we must consider some of the technical problems faced by the artisans of the time as well as the means and procedures they adopted by the same to deal with these.
Early Italian panel paintings carved within their own frame from a single piece of wood. The design was centered on the panel, leaving a border around the perimeter with an internal beveled edge. The practical purpose of this early frame was mainly to protect the painting, as the painter could rest his hand against this border without touching the painting itself.
This same border was then painted, usually red, to isolate the central figure from the surroundings, then gilded and often decorated. Over time the delimitation of the painting became more difficult, given the resources available at that time and considering the increasing sizes of the painting which meant that the quantity of wood to remove grew, the operation became less practical and too expensive.
At the same time it became easier to create mouldings with angles to apply directly to the panels, creating the same result but more efficiently. These strips were shaped according to the geometric profile of the frame continuing along its length, with the decorative function to emphasize the subdivision of the object, or to mediate the transition between two surfaces set at angles, such as the prominent parts.
The mouldings could be smooth or carved with decorations, mainly botanic or geometric motifs. This procedure created a uniform base for the subsequent layers of plaster and isolated the decorated surface of the panel and its frame from movements of the wood. In altarpieces where one panel was often not enough and they needed to glue together several panels, the frame and its elements had the dual function to decorate, but also to support the structure.
In addition, the large altarpieces that were commissioned to an artist living in another city had to be made up of assembled parts that could be taken apart to facilitate transport; and once rebuilt such structures maintained a high tolerance to the movements of natural wood.
The altarpieces were plastered, decorated and then gilded. Such techniques continued to be the norm for the construction and design of frames, especially in Tuscany, through until the middle of the fifteenth century. While in Tuscany the Gothic style remained rather austere, the designers and carvers in the north of Italy felt the French and German influence. It was in Venice itself that for the first time they created a completely independent and self-supporting frame to hold the painted panel. This was the first decisive step towards the modern concept of the frame, built to hold a piece of art, and not as an invisible part of a piece of art.
The Gothic frame was replaced in the second half fifteenth century by the tabernacle frame for private votive images. Some of these frames took inspiration from Brunelleschi drawings.
In Tuscany throughout the fifteenth and sixteenth century the participation by some of the main architects and sculptors in the design and manufacture of frames became more and more frequent. Ecclesiastic architecture always had a decisive influence however, even outside of the religious and liturgical context, the style of painting and the frame evolve through different lines.
The tabernacle frames were used in a private devotional context to contain sacred images, while for secular subjects such as portraits and rural scenes they preferred a different type of frame that had no liturgical reference; for this purpose the so-called "cassetta" frame was born. Its form derived from the tabernacle, but different because it had the same profile on all four sides.
During the Renaissance in Italy the frame which had the greatest success and development was the "Sansovina" frame, which derived its name from the Florentine sculptor Jacopo Sansovino. Nevertheless, this frame became popular in the Veneto region and in particular in Venice. The characteristic that distinguish the "Sansovina" is the profusion of overlapping and intertwining scrolls.
Instead, in Tuscany, the "Tondo" frame became the most representative of that period. The key characteristic of this type of frame is its round form, as well as special features not found in other types of frames; for example, the round form has no axial orientation, leaving the artist free to define the upper and lower parts through decorative elements, or to use continuous decoration, or to impart a sense of rotary movement.
The popularity of this round frame is seen everywhere, in domestic, religious and civic environments, and in the sixteenth century the round became popular even for portraits.
The Renaissance craftsmen were particularly sensitive to the different properties of the various types of wood according to their different structural or decorative uses.
More economic and lower quality wood, like poplar and spruce or pine, were used for secondary frame's parts, like the back or simple carvings; whereas linden, which is more compact, was used for more complex carvings. These types of lower quality wood were gilded. On the other hand walnut wood, rarer and more expensive, was used on un-gilded frames or parcel-gilt "luminolegno". Pear wood was often a good substitute for walnut both for its color and for its grain, but also because it was easily accessible.
Towards the middle of the sixteenth century ebony started to be used often embellished with gems. Oak was quite rare in Italian frames, while the chestnut and elm were often used for their structural capability rather than decorative one.
Before being gilded the frame was covered with plaster and bolus, for this reason the carvings were rarely finished in details; frames with large carvings had a layer of yellow bolus on the surface and red bolus on the prominent parts, in fact red bolus created a better effect during the burnishing, therefore it was placed in the most prominent parts. The frame was then gilded with gold-leaf finish on the complete surface, except the under part of the top edge, where yellow bolus was visible, which was very close to the gold colour.
About the Author
Maselli Frames
is an artisan workshop in Florence, Italy
