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Limoges Montana 12 Light Chandelier by Justice Design $1206 Make a grand impression with a chandelier that naturally complements the existing environment. The Justice Design Limoges Montana 12 Light Chandelier pairs elegant sophistication with neutral tones, thus creating a soft yet contemporary statement. Choose from a variety of porcelain shade designs. Hang in the dining room or entryway for a breathtaking effect. Justice Design Group offers a wide array of lighting solutions for residential and commercial settings. Create a mood, complement a theme, or add the perfect accent with a JDG decorative lighting fixture. The Justice Design Limoges Montana 12 Light Chandelier is available with the following: Details:12 square translucent porcelain shadesMetal frameCeiling canopy72" chain120" wireUL Listed for damp locationsOptions:Finish: Brushed Nickel, Dark Bronze (shown), or Matte Black.Shade: Bamboo, Banana Leaf, Checkerboard (shown), Leaves, Ovals, Pleats, Sawtooth, Waterfall, or Waves.Size: Short, or Tall (shown).Lighting: Twelve 100 Watt 120 Volt Type A-19 Incandescent lamps (not included), or twelve 18 Watt 120 Volt Type GU24 Compact Fluorescent lamps (not included). Shipping: This item usually ships within 1 to 2 weeks. Dimensions: Tall Option: Width 29 In., Length 29 In., Height 34 In. Hanging Length - Short: Overall Length Adjustable to 96 In. Chain: Length 72 In. Short Option: Length 29 In., Width 29 In., Height 24 In. Ceiling Canopy: Height .75 In., Width 5 In., Length 5 In. Hanging Length - Tall: Overall Length Adjustable to 106 In. |
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Montana Pendant by Tech Lighting $260 For a well-rounded lighting scheme, the Tech Lighting Montana Pendant provides a smooth oval shape and vibrant color. The shade is made out of richly layered, fritted glass. Available in a variety of glass colors and finishes to accommodate any interior color palette. Also available in an energy efficient fluorescent lamping option. Tech Lighting, headquartered in Skokie, IL, is known for their innovative lighting systems and exquisite lighting designs. Their passion for art, sophistication and imagination is balanced by rigorous testing and quality control in the creation of their line-voltage and low-voltage lighting, including the Tech Lighting FreeJack and monorail systems and track heads. The Montana Pendant by Tech Lighting is available with the following: Details:Oval, fritted glass shadeRound ceiling canopy72" field-cuttable suspension cableIncandescent version dimmable with standard incandescent dimmer (not included)Energy efficient fluorescent option availableLine-voltageETL ListedOptions:Canopy/Detail Finishes: Black/Satin Nickel, Bronze Brown/Bronze Brown, Satin Nickel/Satin Nickel, or White/Satin NickelLamping: Compact Fluorescent, or Incandescent.Shade: Blue-Violet, Ferrari Red, Tahoe Pine Amber, or White Frit.Lighting:Compact Fluorescent option uses one 32 Watt 2700 K GX24Q-2 T4 Compact Fluorescent lamp (included).The Incandescent option uses one 75 Watt 120 Volt A19 Medium Base lamp (included).Shipping: This item usually ships within 3 to 5 business days. Dimensions: Canopy: Diameter 4.5 in., Height .5 in. Compact Fluorescent Canopy: Height 1.9 in. Fixture: Height 9.2 in., Diameter 6.8 in. Suspension: Length adjustable to 6 ft. |
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Fusion Montana Eight Light Zig Zag Chandelier by Justice Design $792 Treat your eyes to the Justice Design Fusion Montana Eight Light Zig Zag Chandelier. Its juxtaposed neutral glass shades and contemporary geometric framework provide a fashion-forward, yet inviting look. This transitional chandelier works great over the kitchen or dining room table. Choose from four unique shade options and three distinct finishes. Justice Design Group offers a wide array of lighting solutions for residential and commercial settings. Create a mood, complement a theme, or add the perfect accent with a JDG decorative lighting fixture. The Justice Design Fusion Montana Eight Light Zig Zag Chandelier is available with the following: Details:8 square artisan glass shadesMetal frameCeiling canopyTwo 72" chains120" wireUL Listed for damp locationsOptions:Finish: Brushed Nickel (shown), Dark Bronze, or Matte Black.Shade: Droplet, Opal (shown), Ribbon, or Weave.Lighting: Eight 100 Watt 120 Volt Type A-19 Incandescent lamps (not included), or eight 18 Watt 120 Volt Type GU24 Compact Fluorescent lamps (not included). Shipping: This item usually ships within 1 to 2 weeks. Dimensions: Ceiling Canopy: Length 8 In., Height .75 In., Width 8 In. Fixture: Height 22 In., Length 24 In., Width 24 In. |
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Montana Acrylic Football Night Light $18.65 Montana Acrylic Football Night Light Montana Acrylic Football Night Light |
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Limoges Montana 14 Light Linear Chandelier by Justice Design $1395 Decorate with opulence with the Justice Design Limoges Montana 14 Light Linear Chandelier. The strength of the contemporary lines and framework pairs exceptionally well with the softer, more organic look of the porcelain shades for a truly unique design. Create an inviting atmosphere in the dining room with this chandelier, and enjoy a meal with family and friends. Justice Design Group offers a wide array of lighting solutions for residential and commercial settings. Create a mood, complement a theme, or add the perfect accent with a JDG decorative lighting fixture. The Justice Design Limoges Montana 14 Light Linear Chandelier is available with the following: Details:14 square translucent porcelain shadesMetal frameCeiling canopyTwo 72" chains120" wireUL Listed for damp locationsOptions:Finish: Brushed Nickel, Dark Bronze (shown), or Matte Black.Shade: Bamboo, Banana Leaf, Checkerboard, Leaves, Ovals, Pleats, Sawtooth, Waterfall, or Waves (shown).Size: Short (shown), or Tall.Lighting: Fourteen 100 Watt 120 Volt Type A-19 Incandescent lamps (not included), or fourteen 18 Watt 120 Volt Type GU24 Compact Fluorescent lamps (not included). Shipping: This item usually ships within 1 to 2 weeks. Dimensions: Ceiling Canopy: Width 5 In., Length 35.25 In., Height .75 In. Hanging Length - Tall: Overall Length Adjustable to 106 In. Hanging Length - Short: Overall Length Adjustable to 99 In. Tall Option: Height 34 In., Length 46 In., Width 13 In. Short Option: Length 46 In., Width 13 In., Height 27 In. Chain: Length 72 In. |
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Limoges Montana Three Light Zig Zag Linear Chandelier by Justice Design $396 The Justice Design Limoges Montana Three Light Zig Zag Linear Chandelier offers warm ambiance to an intimate dining room or reading area. Utilizing a unique zig-zag design and neutral shade color, this chandelier combines elements both contemporary and classic to create a handsome, transitional piece. Porcelain shades are available in several distinct styles. Justice Design Group offers a wide array of lighting solutions for residential and commercial settings. Create a mood, complement a theme, or add the perfect accent with a JDG decorative lighting fixture. The Justice Design Limoges Montana Three Light Zig Zag Linear Chandelier is available with the following: Details:3 square translucent porcelain shadesMetal frameCeiling canopyTwo 72" chains120" wireUL Listed for damp locationsOptions:Finish: Brushed Nickel, Dark Bronze, or Matte Black (shown).Shade: Bamboo, Banana Leaf, Checkerboard, Leaves, Ovals, Pleats, Sawtooth (shown), Waterfall, or Waves.Lighting: Three 100 Watt 120 Volt Type A-19 Incandescent lamps (not included), or three 18 Watt 120 Volt Type GU24 Compact Fluorescent lamps (not included). Shipping: This item usually ships within 1 to 2 weeks. Dimensions: Ceiling Canopy: Length 11.75 In., Width 5 In., Height .75 In. Fixture: Height 22 In., Length 25 In., Width 7 In. Chain: Length 72 In. Hanging Length: Overall Length Adjustable to 94 In. |
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CandleAria Montana Wall Sconce by Justice Design $196.2 The square faux candle in the Justice Design CandleAria Montana Wall Sconce captures the essence and warmth of candlelight, but without actual flames. Simple, straight lines continue throughout the fixture, making the Montana Wall Sconce a welcome addition into any hallway, bathroom or entryway. Can be installed as an uplight or downlight. Justice Design Group offers a wide array of lighting solutions for residential and commercial settings. Create a mood, complement a theme, or add the perfect accent with a JDG decorative lighting fixture. The Justice Design CandleAria Montana Wall Sconce is available with the following: Details:Faux candle resin shadeMetal supportsSquare wall plateCan be installed as an uplight or downlightUL Listed for damp locationsOptions:Finish: Brushed Nickel (shown), Dark Bronze, Matte Black, or Polished Chrome.Shade: Amber, or Cream (shown).Shade Option: Square Flat Rim (shown), or Square Melted Rim.Lighting: One 60 Watt 120 Volt Type B-13 Incandescent lamp (not included). Shipping: This item usually ships within 1 to 2 weeks. Dimensions: Fixture: Depth 6.5 In., Height 8.75 In., Width 5.25 In. |
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CandleAria Montana 3-Light Wall Sconce by Justice Design $279 Triple the flicker of a one-light sconce with the Justice Design CandleAria Montana 3-Light Wall Sconce. It features three Amber or Cream Faux Candle Resin shades with flat or melted-looking rims. The overall square shape of the shades is complemented by that of the metal base, which is also available in a variety of finishes. Justice Design Group offers a wide array of lighting solutions for residential and commercial settings. Create a mood, complement a theme, or add the perfect accent with a JDG decorative lighting fixture. The Justice Design CandleAria Montana 3-Light Wall Sconce is available with the following: Details:3 Faux Candle Resin shadesMetal baseSquare wall plateCan be installed as uplights or downlightsAccepts energy efficient fluorescent lampingUL Listed for damp locationsOptions:Finish: Brushed Nickel, Dark Bronze, Matte Black, or Polished Chrome.Shade: Amber, or Cream.Shade Options: Square with Flat Rim, or Square with Melted Rim.Lighting: Three 60 Watt 120 Volt Type B13 Incandescent lamps (not included). Shipping: This item usually ships within 1 to 2 weeks. Dimensions: Fixture: Height 9.75 In., Width 16.5 In., Depth 8.5 In. |
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Fusion Montana Two-Tier Chandelier by Justice Design $1890 Stunning from the first glance. The Justice Design Fusion Montana Two-Tier Chandelier impresses not only with its magnitude, but its creative mix of contemporary design and traditionally neutral artisan glass shades. The warm glow emanating from the 20 glass shades provides a beautiful array of warm, welcoming light. Hang in the entryway or use over the dining room table as a true show-stopper. Justice Design Group offers a wide array of lighting solutions for residential and commercial settings. Create a mood, complement a theme, or add the perfect accent with a JDG decorative lighting fixture. The Justice Design Fusion Montana Two-Tier Chandelier is available with the following: Details:20 square artisan glass shadesMetal frameCeiling canopy72" chain120" wireUL Listed for damp locationsOptions:Finish: Dark Bronze, or Matte Black (shown).Shade: Droplet, Opal, Ribbon, or Weave (shown).Lighting: Twenty 75 Watt 120 Volt Type A-19 Incandescent lamps (not included), or twenty 18 Watt 120 Volt Type GU24 Compact Fluorescent lamps (not included). Shipping: This item usually ships within 1 to 2 weeks. Dimensions: Wall Plate: Width 6 In., Length 6 In., Height .75 In. Fixture: Width 34 In., Height 35 In., Length 34 In. |
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Clouds Montana Bath Bar by Justice Design $243 The cool, soft light of the Justice Design Clouds Montana Bath Bar makes it a particularly effective solution for lighting a transitional or contemporary bathroom. The specially-designed Clouds resin shades glow like the sun breaking through the clouds, emitting diffused--and flattering--light. Comes in two, three or four-light configurations and in four possible finishes. Justice Design Group offers a wide array of lighting solutions for residential and commercial settings. Create a mood, complement a theme, or add the perfect accent with a JDG decorative lighting fixture. The Justice Design Clouds Montana Bath Bar is available with the following: Details:Square Clouds resin shadesMetal frameWall plateCan be installed as an uplight or downlightUL Listed for damp locationsOptions:Finish: Brushed Nickel, Dark Bronze, Matte Black, or Polished Chrome (shown).Number of Lights: 2 Lights (shown), 3 Lights, or 4 Lights.Lighting:2 Light option utilizes two 60 Watt 120 Volt Type B-13 Incandescent lamps (not included), or two 13 Watt 120 Volt Type GU24 Compact Fluorescent lamps (not included).3 Light option utilizes three 60 Watt 120 Volt Type B-13 Incandescent lamps (not included), or three 13 Watt 120 Volt Type GU24 Compact Fluorescent lamps (not included).4 Light option utilizes four 60 Watt 120 Volt Type B-13 Incandescent lamps (not included), or four 13 Watt 120 Volt Type GU24 Compact Fluorescent lamps (not included).Shipping: This item usually ships within 1 to 2 weeks. Dimensions: 4-Light Option: Depth 6.5 In., Width 29.25 In., Height 9.75 In. 3-Light Option: Depth 6.5 In., Height 9.75 In., Width 21.25 In. 2-Light Option: Height 9.75 In., Depth 6.5 In., Width 13.25 In. |
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LumenAria Montana Bath Bar by Justice Design $243 Offers a warm, inviting light in an elegantly simple design. The Justice Design LumenAria Montana Bath Bar features two, three or four lights with two choices of shade style (broken rim or flat rim). This versatile vanity light can be installed as an uplight or downlight and comes in a variety of distinctive finishes. Justice Design Group offers a wide array of lighting solutions for residential and commercial settings. Create a mood, complement a theme, or add the perfect accent with a JDG decorative lighting fixture. The Justice Design LumenAria Montana Bath Bar is available with the following: Details:Square faux alabaster resin shadeMetal frameWall plateCan be installed as an uplight or downlightUL Listed for damp locationsOptions:Finish: Brushed Nickel, Dark Bronze (shown), Matte Black, or Polished Chrome.Number of Lights: 2 Lights, 3 Lights, or 4 Lights (shown).Shade Option: Square with Broken Rim, or Square with Flat Rim (shown).Lighting:2 Light option utilizes two 60 Watt 120 Volt Type B-13 Incandescent lamps (not included).3 Light option utilizes three 60 Watt 120 Volt Type B-13 Incandescent lamps (not included).4 Light option utilizes four 60 Watt 120 Volt Type B-13 Incandescent lamps (not included).Shipping: This item usually ships within 1 to 2 weeks. Dimensions: 2-Light Option: Width 13.25 In., Depth 6.5 In., Height 9.75 In. 3-Light Option: Depth 6.5 In., Height 9.75 In., Width 21.25 In. 4-Light Option: Height 9.75 In., Width 29.25 In., Depth 6.5 In. |
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Alabaster Rocks! Montana Bathbar by Justice Design $243 The Justice Design Alabaster Rocks! Montana Bath Bar adds mood and warmth to the bathroom, powder room or foyer. Its mottled, resin-cast shades and clean-lined metal frame give a unique look to spaces both classic and contemporary. Has the flexibility of installing as an uplight or downlight, depending on the preferred look. Justice Design Group offers a wide array of lighting solutions for residential and commercial settings. Create a mood, complement a theme, or add the perfect accent with a JDG decorative lighting fixture. The Justice Design Alabaster Rocks! Montana Bath Bar is available with the following: Details:Square resin shadesMetal frameRectangular wall plateCan be installed as an uplight or downlightUL Listed for damp locationsOptions:Finish: Brushed Nickel (shown), Dark Bronze, Matte Black, or Polished Chrome.Number of Lights: 2 Lights, 3 Lights (shown), or 4 Lights.Lighting:2 Light option utilizes two 60 Watt 120 Volt Type B-13 Incandescent lamps (not included).3 Light option utilizes three 60 Watt 120 Volt Type B-13 Incandescent lamps (not included).4 Light option utilizes four 60 Watt 120 Volt Type B-13 Incandescent lamps (not included).Shipping: This item usually ships within 1 to 2 weeks. Dimensions: 4-Light Option: Height 9.75 In., Depth 6.5 In., Width 29.25 In. 3-Light Option: Width 21.25 In., Height 9.75 In., Depth 6.5 In. 2-Light Option: Height 9.75 In., Depth 6.5 In., Width 13.25 In. |
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CandleAria Montana Bath Bar by Justice Design $243 With clean lines, and a variety of rich metallic finishes, the Justice Design CandleAria Montana Bath Bar works seamlessly with contemporary or transitional bathrooms. It can be installed as either an uplight or downlight. In 2, 3, or 4 square faux candle shade configurations, it works well in bathrooms of varying size and lighting needs. Justice Design Group offers a wide array of lighting solutions for residential and commercial settings. Create a mood, complement a theme, or add the perfect accent with a JDG decorative lighting fixture. The Justice Design CandleAria Montana Bath Bar is available with the following: Details:Faux candle resin shadesMetal supportsRectangular wall plateCan be installed as an uplight or downlightUL Listed for damp locationsOptions:Finish: Brushed Nickel, Dark Bronze, Matte Black (shown), or Polished Chrome.Number of Lights: 2 Lights, 3 Lights, or 4 Lights.Shade: Amber, or Cream (shown).Shade Option: Square Flat Rim (shown), or Square Melted Rim.Lighting:2 Light option utilizes two 60 Watt 120 Volt Type B-13 Incandescent lamps (not included).3 Light option utilizes three 60 Watt 120 Volt Type B-13 Incandescent lamps (not included).4 Light option utilizes four 60 Watt 120 Volt Type B-13 Incandescent lamps (not included).Shipping: This item usually ships within 1 to 2 weeks. Dimensions: 4-Light Option: Depth 6.5 In., Width 29.25 In., Height 9.75 In. 3-Light Option: Depth 6.5 In., Height 9.75 In., Width 21.25 In. 2-Light Option: Height 9.75 In., Depth 6.5 In., Width 13.25 In. |
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LumenAria Montana Wall Sconce by Justice Design $196.2 Made with high tech resin that mimics the look of alabaster. The Justice Design LumenAria Montana Wall Sconce is available in several classic and contemporary finishes and in two shade styles--either broken rim or flat rim. It can be installed as a downlight or an uplight. Justice Design Group offers a wide array of lighting solutions for residential and commercial settings. Create a mood, complement a theme, or add the perfect accent with a JDG decorative lighting fixture. The Justice Design LumenAria Montana Wall Sconce is available with the following: Details:Square faux alabaster resin shadeMetal frameSquare wall plateCan be installed as an uplight or downlightUL Listed for damp locationsOptions:Finish: Brushed Nickel, Dark Bronze (shown), Matte Black, or Polished Chrome.Shade Option: Square with Broken Rim (shown), or Square with Flat Rim.Lighting: One 60 Watt 120 Volt Type B-13 Incandescent lamp (not included), or one 13 Watt 120 Volt Type GU24 Compact Fluorescent lamp (not included). Shipping: This item usually ships within 1 to 2 weeks. Dimensions: Fixture: Depth 6.5 In., Height 8.75 In., Width 5.25 In. |
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CandleAria Montana Angled Wall Sconce by Justice Design $196.2 Give a romantic room some edge with the Justice Design CandleAria Montana Angled Wall Sconce. Featuring either a Square with Flat Rim shade or Square with Melted Rim shade, this wall sconce creates visual warmth without blending in and disappearing completely. Justice Design Group offers a wide array of lighting solutions for residential and commercial settings. Create a mood, complement a theme, or add the perfect accent with a JDG decorative lighting fixture. The Justice Design CandleAria Montana Angled Wall Sconce is available with the following: Details:Faux candle resin shadeMetal supportsSquare wall plateCan be installed as an uplight or downlightUL Listed for damp locationsOptions:Finish: Brushed Nickel, Dark Bronze, Matte Black, or Polished Chrome.Shade: Amber, or Cream.Shade Options: Square with Flat Rim, or Square with Melted Rim.Lighting: One 60 Watt 120 Volt Type B13 Incandescent lamp (not included). Shipping: This item usually ships within 1 to 2 weeks. Dimensions: Fixture: Depth 8.25 In., Height 8.75 In., Width 7.25 In. |
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CandleAria Montana 4-Light Chandelier by Justice Design $358.2 Faux candle shades glow with warmth and allure, inviting guests into the dining room or living room. The Justice Design CandleAria Montana 4-Light Chandelier provides classic romantic ambience, its 4 faux candle resin shades a handsome complement to a strong square frame. Use in the bathroom for added character. Justice Design Group offers a wide array of lighting solutions for residential and commercial settings. Create a mood, complement a theme, or add the perfect accent with a JDG decorative lighting fixture. The Justice Design CandleAria Montana 4-Light Chandelier is available with the following: Details:4 Faux Candle Resin shadesMetal frameSquare ceiling canopy72" suspension chain120" wireUL Listed for damp locationsOptions:Finish: Brushed Nickel, Dark Bronze, or Matte Black.Shade: Amber, or Cream.Shade Options: Square with Flat Rim, or Square with Melted Rim.Lighting: Four 60 Watt 120 Volt Type B13 Incandescent lamps (not included). Shipping: This item usually ships within 1 to 2 weeks. Dimensions: Fixture: Overall Hanging Length Adjustable to 92 In., Height 20 In., Width 14 In., Depth 14 In. Chain: Length 72 In. Ceiling Canopy: Depth 6 In., Height .75 In., Width 6 In. |
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Alabaster Rocks! Montana Wall Sconce by Justice Design $196.2 For millennia, alabaster has been highly esteemed in the creation of all variety of decorative objects. Today, its natural translucent quality makes it an obvious choice for creating unique lighting, such as the Justice Design Alabaster Rocks! Montana Wall Sconce, with the shade made out of shaved alabaster rocks cast into resin. Can be installed either as an uplight or a downlight. Justice Design Group offers a wide array of lighting solutions for residential and commercial settings. Create a mood, complement a theme, or add the perfect accent with a JDG decorative lighting fixture. The Justice Design Alabaster Rocks! Montana Wall Sconce is available with the following: Details:Rectangular resin shadeMetal frameSquare wall plateCan be installed as an uplight or downlightUL Listed for damp locationsOptions:Finish: Brushed Nickel, Dark Bronze, Matte Black (shown), or Polished Chrome.Lighting: One 60 Watt 120 Volt Type B-13 Incandescent lamp (not included). Shipping: This item usually ships within 1 to 2 weeks. Dimensions: Fixture: Depth 6.5 In., Height 8.75 In., Width 5.25 In. |
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Fusion Montana Wall Sconce by Justice Design $196.2 Classy and creative, the artisan glass shade on the Justice Design Fusion Montana Wall Sconce catches the eye with its unique design and excellent crafting. Paired with its contemporary mount this sconce enhances a variety of home decor. Place in the bathroom or along a hallway as either an uplight or downlight. Justice Design Group offers a wide array of lighting solutions for residential and commercial settings. Create a mood, complement a theme, or add the perfect accent with a JDG decorative lighting fixture. The Justice Design Fusion Montana Wall Sconce is available with the following: Details:Square artisan glass shadeMetal frameSquare wall plateCan be installed as an uplight or downlightUL Listed for damp locationsOptions:Finish: Brushed Nickel (shown), Dark Bronze, Matte Black, or Polished Chrome.Shade: Droplet, Opal, Ribbon, or Weave (shown).Lighting: One 100 Watt 120 Volt Type A-19 Incandescent lamp (not included), or one 18 Watt 120 Volt Type GU24 Compact Fluorescent lamp (not included). Shipping: This item usually ships within 1 to 2 weeks. Dimensions: Fixture: Depth 6.5 In., Height 8.75 In., Width 5.25 In. |
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Clouds Montana Wall Sconce by Justice Design $196.2 Like the sun breaking through the clouds, the Justice Design Clouds Montana Wall Sconce is ideal for providing a gentle glow in an entryway, bathroom or down a hallway. Its sleek design and square Clouds resin shade works in both transitional and contemporary settings. Can be installed as either an uplight or downlight. Justice Design Group offers a wide array of lighting solutions for residential and commercial settings. Create a mood, complement a theme, or add the perfect accent with a JDG decorative lighting fixture. The Justice Design Clouds Montana Wall Sconce is available with the following: Details:Square Clouds resin shadeMetal baseWall plateCan be installed as an uplight or downlightUL Listed for damp locationsOptions:Finish: Brushed Nickel, Dark Bronze, Matte Black, or Polished Chrome (shown).Lighting: One 60 Watt 120 Volt Type B-13 Incandescent lamp (not included). Shipping: This item usually ships within 1 to 2 weeks. Dimensions: Fixture: Depth 6.5 In., Height 8.75 In., Width 5.25 In. |
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Limoges Montana Wall Sconce by Justice Design $196.2 A soft statement and clean presentation. The Justice Design Limoges Montana Wall Sconce lights hallways and entryways with its gentle glow and contemporary framing. A classically transitional sconce created to both decorate and illuminate the home. Can be installed as an uplight or downlight depending on the desired effect. Justice Design Group offers a wide array of lighting solutions for residential and commercial settings. Create a mood, complement a theme, or add the perfect accent with a JDG decorative lighting fixture. The Justice Design Limoges Montana Wall Sconce is available with the following: Details:Square translucent porcelain shadeMetal frameSquare wall plateCan be installed as an uplight or downlightUL Listed for damp locationsOptions:Finish: Brushed Nickel, Dark Bronze, Matte Black (shown), or Polished Chrome.Shade: Bamboo, Banana Leaf, Checkerboard, Leaves, Ovals (shown), Pleats, Sawtooth, Waterfall, or Waves.Lighting: One 100 Watt 120 Volt Type A-19 Incandescent lamp (not included). Shipping: This item usually ships within 1 to 2 weeks. Dimensions: Fixture: Depth 6.5 In., Width 5.25 In., Height 8.75 In. |
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Light house vs USS Montana
Chapter 1 of Jerry’s Riot: the True Story of Montana’s 1959 Prison Disturbance
Chapter 1 of Jerry’s Riot: The True Story of Montana’s 1959 Prison Disturbance
A GHOST’S WHISPER
A board falling flat to the floor is thunder to the heart. And so it was that when prison guard Clyde Sollars heard a hard clap, he stiffened in fear. For a few seconds he listened, breathless. Sollars looked at his wristwatch, an anniversary gift from his wife. The hands showed almost four o’clock. He reached into the canvas bag he had carried into the prison from the main office across the street. Inside the tiny mailroom that was nothing more than a cubbyhole with shelves, wedged at the end of a short hallway, he sorted the day’s last letters. That noise, sharp and urgent, echoed in his head. The convict carpenters working with hammers and saws near the deputy warden’s office must have dropped a board. The day suddenly felt used and cold, like frost on a flower. Feeling a chill that he couldn’t understand, he worked faster.
An hour earlier, Sollars waited outside the prison’s rock walls, across the street, while his wife Helen censored the last letters. She was the new matron in the Women’s Unit, a small stockade behind the main prison. They told her that if she worked with the mail superintendent for a few weeks she would know the prison better. Every morning she and another matron marched eleven of the thirteen female prisoners from their quarters to their jobs in prison offices outside the walls. Clyde felt lucky to see her during working hours. He was one of two mail and transportation officers, alternating with another guard on road trips to return parole violators to Deer Lodge. The most recent assignment had been to North Dakota. The other guard asked for it, hoping to visit relatives along the way.
On this Thursday, April 16, 1959, Clyde Sollars might have been driving hundreds of miles to the east, free as a bird on the perpetual plains of eastern Montana. Instead he stacked mail into a bag, looked at his watch, and decided that before he ended his shift he would walk one more time into Montana State Prison. “See you at home, Mom,” he had said to his wife. That was what he called Helen sometimes. They had two daughters, grown and gone, and it felt good to speak to his wife as if the children were still at home.
He had come to the prison in 1957. Like many of the guards before him, who found their way to Deer Lodge from the sawmills and the mines and the timber crews, he arrived at the prison with dirt on his heels. After leaving the Army after World War II he went to work in the grain elevators in Charlo, Ronan, Polson, Pablo and Paradise, all towns in northwestern Montana. Sollars was an ordinary blue-collar worker, as unadorned as the other guards who filed in and out of those imposing sandstone and granite walls. He was about to find out how plain men take on new worth in a crisis.
He swung the canvas sack onto his shoulder and walked forty paces across Main Street and into the lengthening shadows of two mighty cell houses. The fortresses stood four stories high. Castle-ike turrets clawed at the pale sky from each of the eight corners. One cell house had been built before the turn of the century, the other, during Teddy Roosevelt’s presidency. They made an awe-inspiring sight to travelers who drove into town on Highway 10, a two-lane ribbon of asphalt, and stopped and pointed their Brownies to snap pictures. The forbidding prison, by some accounts one of the worst in the country, made for interesting vacation snapshots next to the more pastoral elements of Montana, like steaming geyser spray from Old Faithful in Yellowstone National Park.
Like most prison guards, Sollars saw little romance in the rugged architecture of the cell houses. He thought them ugly and wretched because he knew of the misery that they hid. He felt them staring at him with their troubled swollen eyes. The prison had eyes everywhere. The hundreds of prisoners watched and remembered all they saw, as did the guards if they knew what was good for them. The seven wall towers watched what was inside, and everything inside stared back. Eyes watched from everywhere. It was said that the prison’s ears heard all, even a ghost’s whisper.
Wind swept the scent of spring snow off the mountains that loomed like a painted backdrop behind the prison. The scent stung his nose but felt fresh and clean. Only when Sollars arrived at the looming stone entrance did he shiver. Instinctively he zipped his blue uniform jacket. He tilted the bill on his police-style cap to shut out the sun, which already was fading behind the prison. Then he looked up. On the wall outside the tower, known as Tower 7 or the main gate, a guard stood with a loop of clothesline rope. He uncoiled it and let it drop twenty feet or so to Sollars, who unclipped from it a brass key that filled his hand. At the front of the tower, standing almost on Main Street where the cars rolled past, Sollars unlocked an ornate black grill door to enter the base of the two-story tower. Here, the easy innocence of small-town Deer Lodge dissolved into a dark cave of sandstone rock. A naked bulb cast dull yellow light that didn’t penetrate the corners. The room was cold and drafty. Sollars felt a change in him as he always did when he went inside. He locked the grill door behind him. This time, the rope dangled through a round opening in the ceiling. The guard who had stood on the wall a minute earlier was now inside the tower, up in the eagle’s nest where he could see the guts of the prison through its broad windows. Sollars attached the key, tugged on the rope, and the guard above pulled it back. Seconds later the rope returned. A new key rattled inside the tin tube. Sollars used it to unlock a wooden door, as thick as his hand was wide, on the opposite side of the tower. He swung open the door, stepped into the prison yard, and locked it again. The other guard, standing outside on the wall again and facing the prison now, dropped the rope. Sollars surrendered the key.
He crossed a short courtyard to ten steps that led upward to another barred door. Behind it was Inside Administration, where guards brought their prisoner counts. Convicts came for medicine, or to get their teeth pulled in the dental office, or to shine the guards’ black leather shoes. In the photo office, they took pictures of the “fish,” the new men who arrived through the main gate and wrote descriptions of their scars and tattoos in case of escape. The visiting room was here, too. Inside Administration was the business district of this town of criminals.
The cell houses, like big brothers, pressed against the chalk-white Inside Administration on either side, dwarfing it. On the south end, to Sollars’ left, was the 1896 version. This cell house had buckets for toilets. Despite all the technological inventions before its construction, it more resembled a Civil War-era fortress with its galleys of wood and its cell doors that had to be locked individually. It was made of dark brick, the color of dried blood. Its round turrets had roofs that came to a point, where in the early days big flags flew. To the north, the 1912 cell house was much the same in its rectangular construction, although its brick looked more orange by contrast and its square turrets flared at the top. Even forty-seven years after it was built, guards called this building the “new” cell house because it had plumbing and interlocking cell doors. None of the guards would doubt that this was Floyd Powell’s prison. The new warden from Wisconsin State Prison, a champion of reform, had proclaimed at his arrival eight months earlier that he would change this reputed hellhole into a model institution that would be the envy of every prison in America. Not everyone shared his enthusiasm. Some residents of Deer Lodge greeted his presence with skepticism, others with disdain. The town wasn’t accustomed to a warden of such outward determination, and the prospect of an improved prison was a new idea. In Wisconsin he had a reputation as a bit of a daredevil because he was willing to go into prison cells to talk inmates out of knives or other weapons. From childhood he lived a hard life and was determined to overcome it. As a boy, and the oldest son, he took over the family farm when his father became disabled in a car accident. He also hired out as a laborer to bring extra money home. He was a driven, determined self-made man.
The new warden arrived in Deer Lodge to repair decades of decay and mismanagement at the only prison in Montana’s vast landscape. It was an outpost of sorts, planted in a town of fewer than 4,000 residents in a tall empty county – Powell County, coincidentally – where Hereford cattle outnumbered people. The prison had stood at that spot along the Clark Fork River since Montana was a territory, when sluice miners crawled the snow-fed creeks and road agents fleeced them of their gold nuggets. It had been a familiar face to three generations of Deer Lodge folk who worked there. The old prison was a tolerated place, if not tolerable, a dark ripple in the stream of a good life. In a wide lonesome valley that felt like cupped hands beneath the heavens, the prison’s purpose was a spoiling, a footprint of humanity’s inevitable sorrowful deeds. Montanans liked their prison kept quiet, much like ignoring a sleeping dog for fear of its bite. With Floyd Powell’s arrival, that was about to change. There, between folds of the Rocky Mountain Front that wore some of the best forests in Montana on its flowing cape, his agenda for reform took shape.
As summer waned, Powell charged ahead with uncommon energy, trying to change everything at once. He recruited Ted Rothe, his friend and ally, from Wisconsin State Prison. To make the prison safer, he hired more guards. To know the troublemakers, he started classifying prisoners by crimes and behavior. He even fired the “con bosses” who had supervised their peers in the industries and shops. Powell was a whirling dervish. In his quest to bring the prison into modern times, he was upsetting the balance of power inside of it.
Clyde Sollars felt a haunting at the prison. The prison felt dead and ugly. Knowing the men held inside was like ripping open a psychological veil. Behind it were the inmates’ victims and their personal agonies. Civilization built prisons to hide what they didn’t want to see. Sollars and all the other guards discovered that in the midst of convicted men they met hell, exposed and raw and full of pain. Guards coped with two evils: real dangers and apparitions. They sensed in Floyd Powell’s vision a change in wind direction. It felt like a storm building on the mountain. To many Montanans, prison reform was worse than a futile gesture. It was a violation of faith.
If anything, a guard’s life was a fertile field for conversation. On the outside, off shift, guards cracked their foaming Great Falls Selects and smoked their unfiltered Camels and ranted of how it was, how it really was, and lamented Powell’s policies and the joint and the torment of their working lives. At the top of the steps at the barred door into Inside Administration, Sollars pushed a button that sounded a buzzer. Officer James “Little” Jones, the second-shift turnkey, appeared at the door. He was as short as his nickname implied, but a muscled, wiry man, and his hair was thick and black. “Last trip for today?” he asked Sollars. He opened the door for Sollars to pass and then swung it shut. Metal crashed against metal. He turned the big key until the lock slid closed with a thunk. Jones made small talk before Sollars entered a little hallway to his right. He had been sorting the mail for fewer than ten minutes before he heard the noise that scared him.
Jones worked two grill doors that day. On the west side of the building, opposite from where Sollars had entered, two grill doors spaced twelve feet apart created a vestibule, where on most days one door would be locked before the other was opened. Those doors admitted convicts from the yard. Usually a second turnkey guard worked between the doors and had to work them with care to avoid being trapped with both sets of keys. Today Jones was working alone. On such days when the afternoon shift was short a man, the outside grill door was left open. Convicts who had business to do came up the steps from the yard on the west side of Inside Administration and walked right up to the second grill door in the vestibule. As a matter of policy, Jones would order them to step back before he unlocked the door. Standing now inside his claustrophobic mailroom, Sollars was thinking again about the noise that bothered him. Like other guards he had become accustomed to listening beyond clanging doors and crude language for true and ominous signals of trouble. This noise had ricocheted around the jungle of concrete rooms like a clap of thunder. Had he heard a board falling flat to the floor, blasting the air away? Or had he heard something else? His suspicion grew. For a few moments only silence came to his ears, and in prison, silence deafens. Here, a dictionary of sounds lay open in Clyde Sollars’ mind, as it did for every guard, ready for quick reference. In this prison of a thousand eyes, danger usually came first to the ears. Sounds that fill the prison alarm new guards. As months pass those sounds become a pattern of routine. The prison at its safest was a numbing routine and a guard was soon to learn that he should listen close when the routine changes. From somewhere in the maze of rooms came an urgency of shoes on tile. They weren’t squeaks of new shoes but the warnings of a struggle. Sollars felt curious and then afraid. He crept into the lobby. Here in this gloomy room, where convicted men had tromped a trail in the linoleum, he saw no carpenters, nor did he see anyone else. Where was Jones, the turnkey guard? And why were both barred doors to the yard standing open? That very second, as Sollars comprehended a guard’s greatest fear, a squat and sweating convict rumbled into the lobby from Deputy Warden Ted Rothe’s office. His big fist clutched a thin ugly knife, red with blood.
Sollars recognized him at once. He didn’t know the man well, in fact couldn’t recall a conversation with him, but in an instant Sollars sensed the man’s frightful confidence. Like a mad bull, Jerry Myles snorted through a flattened nose that listed to the left. Rivers of purple and red ran across his flushed face. His bully scowl, accentuated with heavy eyelids and full pouting lips, promised trouble. His high forehead, where only a tongue of wavy salt-and-pepper hair remained, shined with sweat. He tilted his head backward a bit, daring Sollars to defy him. Sollars had heard this man was nicknamed “Shorty” and could see why. Myles stood only a shade over five feet, and despite thick arms and a chest as round as a rain barrel, his feet were dainty like a woman’s. His shoes seemed too petite for a man who propelled his stout body with such authority. He was a bull on tiny feet. Although a common burglar, Myles had a reputation among the guards as a jocker, meaning he stalked young men for sex. They also called him “Little Hitler,” alluding to his remorseless and domineering behavior in the cell house. He courted violations of the rules in an effort to draw attention to himself, and when he was caught, tried to make amends in pitiful ways. At 125, his IQ was far higher than most of his fellow convicts. He wrote poetry, enjoyed the strategic challenges of chess, and had learned to play the violin. Had he not been a psychopath, he might have been a scholar. Little good had come from his intellect. Other than occasional regret over his troubled loveless life, he reserved most of his thinking for petty hates and distorted illusions. Sollars thought he saw a flicker of compassion in the eyes of this mad bull before him. When Myles spoke, his voice came softer than Sollars had expected. “This is a riot and if you want to live, Cap, do what I say,” Myles advised him.
At first Sollars didn’t understand that Myles was even more dangerous than he appeared. Prison was his home. Now forty-four years old, he had spent most of the past twenty-five years at Alcatraz Island and five other federal and state prisons. Mutinies came to him as second nature. He thought he knew prison life better than anyone who had guarded him. Myles was determined to impress on his captors that because of his long history of confinement he deserved special privileges. It soon would become clear to everyone in Montana that he desired to run the prison. Myles stepped toward Sollars. He guided the knife in front of his short bulk like he was trying to clear a path with it. Sollars didn’t doubt that Myles would kill him. He raised his hands in surrender.
Sollars had been to war and seen a few fights at the grain elevators but knew nothing about confronting armed convicts. Behind Myles came Lee Smart, the kid with eyes of ice. Sollars knew him as the teenage murderer. He was skinny and had a girl’s countenance but everyone knew he was a psychopath and gave him room. Smart had a sassy defiant way about him. He walked around the prison with his trousers drooping. Between Myles and Smart stood Sergeant Bill Cox. Blood soaked the shirtsleeve on his left arm from shoulder to wrist. He had a jaw of rock that made him look fierce but now his strength was gone and his face white and dazed. Cox worked in the captain’s office between the lobby and Ted Rothe’s office. As Sollars tried to understand what he was seeing, he wondered for an instant why the scene didn’t include Deputy Warden Rothe. Then he looked closer at the boy. Smart pointed a lever-action rifle at Sollars. He gripped the barrel not as a hunter would with a thumb on one side and fingers on the other for a clear view, but with his fingers wrapped all the way around. The ominous opening at the barrel’s tip looked larger than life. Sollars smelled gunpowder. He saw Smart’s other hand at the trigger, coaxing it. Sollars felt a violation of the basic order of life. He blinked hard behind his glasses. He wouldn’t forget Lee Smart’s blank cold face.
Further information about Jerry’s Riot is available at http://www.skybluewaterspress.com
About the Author
Kevin S. Giles is the author of "Jerry's Riot: The True Story of Montana's 1959 Prison Disturbance"
