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I need help with my english homework?
I have to write 5 paragraphs about the short story "Lather". Its about a barber that is secretly a comunist. The General comes in for a shave (He's been killing communists in the town square). The barber fights with himself trying to decide whether to kill the general or not. He decides not to, seeing as though he'd be found out and he'd lose the job he loves. When the General leaves, he says to the barber "They told me you'd kill me. I came to find out. But killing isn't easy. Trust me, I'd know."
Heres the paragraph set up I need:
1 - Introduction
2 - Pathos
3 - Ethos
4 - Logos
5 - Conclusion
I don't know how to write paragraphs 2-4. Can someone give me an example? Just like, a topic sentence for each one? please? It's due tomorrow
I really dont know but...
2.a quality that arouses emotions (especially pity or sorrow); "the film captured all the pathos of their situation"
3.(anthropology) the distinctive spirit of a culture or an era; "the Greek ethos"
4.the divine wisdom manifest in the creation, government, and redemption of the world and often identified with the second person of the Trinity
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Young Communist League of Norway $68.51 High Quality Content by WIKIPEDIA articles Young Communist League of Norway (Norwegian: Norges Kommunistiske Ungdomsforbund) was until April 2006 the youth league of Norges Kommunistiske Parti (NKP). April 1st 2006 NKP declared that NKU was no longer its youth organization, and that all youths interested in joining the movement should contact the party directly. NKU still persisted as an organization, however, and held a congress in the middle of May 2006, where it declared its wish to cooperate with NKP, but also to continue on its own if necessary. At the same time NKP organized a conference of their own, where they established a new youth organization for the party, with the same name and logo as the original NKU. This has led to a conflict over the rights to the name, logo, history, international contacts and property of NKU, which lasted until July 2008. The conflict ended in court, where both NKU and NKP was found responsible for the problems that had arisen. Author: Surhone, Lambert M./ Tennoe, Mariam T./ Henssonow, Susan F. Binding Type: Paperback Number of Pages: 96 Publication Date: 2010/08/28 Language: English Dimensions: 6.00 x 9.02 x 0.23 inches |
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Obama Communist Logo
Wang Guangyi Paintings at the Saatchi Gallery
Wang Guangyi’s paintings combine the ideological power of communist propaganda with the seductive allure of advertising. Juxtaposing revolutionary images with consumer logos, Wang’s canvases provocate with their duplicitous message, highlighting the conflict between China’s political past and commercialised present. Stylistically merging the government enforced aesthetic of agitprop with the kitsch sensibility of American pop, Wang’s work adopts the cold-war language of the 60s to ironically examine the contemporary polemics of globalisation.The paintings of Wang Guangyi belong to the category of Chinese contemporary art termed Political Pop: work that appropriates the visual tropes of the propaganda of the Cultural Revolution, reworking them in the flat, colorful style of American Pop.The work of artists like Wang Guangyi may be reduced to a mere aestheticization of the experiences of the Cultural Revolution, a view which threatens to limit the discussion of these works to their formal elements, foreclosing more important ideological and historical questions that must be raised.
Wang Guangyi is interested in the visual transmission of the socialist message. He first thought about making his Materialist sculptures in 2000-2001. The inspiration came from the socialist realist statues he saw everyday throughout his childhood. Images of leaders or of model heroes were immensely effective communicators of power and idealism, and deeply inspirational for a great many people. Interested in the communicative power of these sculptures, Wang Guangyi wanted to continue the communication thus bringing that era of Chinese history to younger generations, making them reflect on Chinese history. He wants to transmit the concept of socialism using a visual approach and at the same time communicate some of the faith the Chinese people had in the socialist message. Power is an important element in these works. Wang Guangyi considers these sculptures a turning point in his work, moving away from the cultural conflicts expressed in his Great Criticism paintings.Wang’s paintings weave intricate narratives, implicating the role of the artist as an active participant (both as subjugator and subservient) in economic and social policy. Wang treads a very delicate line between moral dictum and capitalist endorsement; the interpretation of his paintings alternates with the subjectivity of context. Amalgamating, confusing, and blurring opposing ideological beliefs, Wang’s billboard sized canvases readily sell out national valour, while simultaneously devaluing status symbol luxury for the proletariat cause.
About the Author
If u want to know more about Wang Guangyi paintings, biography, solo exhibitions, group exhibitions and resource of Wang Guangyi. View Wang Guangyi artwork online at The Saatchi Gallery - London contemporary art gallery.Wang Guangyi
